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| 1960 | Jagger, Mick |  |
| London Keith Richards and Mick Jagger both attended the Dartford Maypole County Primary School, the two become reacquainted while Richards is attending the Sidcup Art School and Jagger is a student at the London School of Economics
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| London Keith Richards, Mick Jagger & Dick Taylor form the band Little Boy Blue and the Blue Boys, pre-cursor of the Rolling Stones
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| 1960 | Richards, Keith | |
| Sidcup Keith Richards and Mick Jagger both attended the Dartford Maypole County Primary School, the two become reacquainted while Richards is attending the Sidcup Art School and Jagger is a student at the London School of Economics
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| London Keith Richards, Mick Jagger & Dick Taylor form the band Little Boy Blue and the Blue Boys, pre-cursor of the Rolling Stones
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| 1960 | Taylor, Dick | |
| London Keith Richards, Mick Jagger & Dick Taylor form the band Little Boy Blue and the Blue Boys, pre-cursor of the Rolling Stones
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| 1962 | Chapman, Tony | |
| London The Stones have their first in the Marquee Club with Jagger, Richards, Jones, Stewart, bass player Dick Taylor (later of The Pretty Things) and drummer Tony Chapman
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| 1962 | Jagger, Mick | |
| London The Rolling Stones' lineup settles down to Jagger, Richards, Stewart, Jones, Taylor, and drummer Tony Chapman
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| 12th July London The group plays its first gig at the Marquee club in London, billed as "The Rollin' Stones"
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| 12th July London The Stones have their first in the Marquee Club with Jagger, Richards, Jones, Stewart, bass player Dick Taylor (later of The Pretty Things) and drummer Tony Chapman
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| 1962 | Jones, Lewis Brian Hopkin | |
| London Jones comes up with the name "The Rollin' Stones" (later with the 'g')
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| London Jones recruits Ian "Stu" Stewart and singer Mick Jagger into his band - who, with Jagger's childhood friend Keith Richards, met Jones when he and Paul Jones were playing Elmore James' "Dust My Broom" with Korner's band at The Ealing Club
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| London The Rolling Stones' lineup settles down to Jagger, Richards, Stewart, Jones, Taylor, and drummer Tony Chapman
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| 12th July London The Stones have their first in the Marquee Club with Jagger, Richards, Jones, Stewart, bass player Dick Taylor (later of The Pretty Things) and drummer Tony Chapman
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| 1962 | Richards, Keith | |
| London The Rolling Stones' lineup settles down to Jagger, Richards, Stewart, Jones, Taylor, and drummer Tony Chapman
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| 1962 | Richards, Kieth | |
| 12th July London The Stones have their first in the Marquee Club with Jagger, Richards, Jones, Stewart, bass player Dick Taylor (later of The Pretty Things) and drummer Tony Chapman
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| 1962 | Stewart, Ian | |
| London The Stones have their first in the Marquee Club with Jagger, Richards, Jones, Stewart, bass player Dick Taylor (later of The Pretty Things) and drummer Tony Chapman
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| 1962 | Taylor, Dick | |
| 12th July London The Stones have their first in the Marquee Club with Jagger, Richards, Jones, Stewart, bass player Dick Taylor (later of The Pretty Things) and drummer Tony Chapman
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| 1962 | Wyman, Bill | |
| Dec London Bill Wyman officially joins the Rolling Stones
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| 1963 | Eastman, Eric | |
| London As the Stones' grow, they come to the attention of Andrew Loog Oldham, who meets them at the suggestion of Record Mirror music writer Peter Jones, and becomes, with Eric Eastman, their co-managers
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| 1963 | Jones, Lewis Brian Hopkin | |
| London Oldham's arrival marks the beginning of Jones' slow estrangement from the band, one which saw his prominent role diminished as Oldham sought to shift the Stones's centre from Jones to Jagger and Richards
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| 1963 | Jones, Peter | |
| London As the Stones' grow, they come to the attention of Andrew Loog Oldham, who meets them at the suggestion of Record Mirror music writer Peter Jones, and becomes, with Eric Eastman, their co-managers
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| 1963 | Oldham, Andrew Loog | |
| London As the Stones' grow, they come to the attention of Andrew Loog Oldham, who meets them at the suggestion of Record Mirror music writer Peter Jones, and becomes, with Eric Eastman, their co-managers
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| London Oldham coins the phrase "Would you let your daughter marry a Rolling Stone?"
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| London Oldham, who had worked as the Beatles publicist, was an admirer of Anthony Burgess' novel A Clockwork Orange, as well as the film Expresso Bongo, cultivated an image for the band as unruly and slightly menacing
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| London Runs into an inebriated John Lennon and Paul McCartney, who give him their barely finished song I Wanna Be Your Man which becomes an early Stones hit
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| London The Beatles visit the Rolling Stones at a London show and help connect the Stones with manager Andrew Loog Oldham
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| 1963 | Watts, Charlie | |
| Jan London Charlie Watts officially joins the Rolling Stones
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| 1965 | Jagger, Mick | |
| Prompted by Oldham, Jagger and Richards become more prolific songwriters and the US version of 1965's Out of Our Heads contains seven original songs, including the classic "(I Can't Get No) Satisfaction"
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| 12th June Rolling Stones release "Satisfaction"
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| 1965 | Oldham, Andrew Loog | |
| Prompted by Oldham, Jagger and Richards become more prolific songwriters and the US version of 1965's Out of Our Heads contains seven original songs, including the classic "(I Can't Get No) Satisfaction"
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| 1965 | Richards, Keith | |
| Prompted by Oldham, Jagger and Richards become more prolific songwriters and the US version of 1965's Out of Our Heads contains seven original songs, including the classic "(I Can't Get No) Satisfaction"
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| 1966 | Jones, Lewis Brian Hopkin | |
| Jones produces, plays on and writes the soundtrack for the film "Mord und Totschlag" (aka "A Degree Of Murder"), an avant-garde German film with Anita Pallenberg
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| 1966 | Klein, Allen | |
| Problems with Andrew Loog Oldham's drug abuse led to the sale of his interest in the Stones to Allen Klein
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| 1966 | Oldham, Andrew Loog | |
| Problems with Andrew Loog Oldham's drug abuse led to the sale of his interest in the Stones to Allen Klein
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| 1966 | Pallenberg, Anita | |
| Jones produces, plays on and writes the soundtrack for the film "Mord und Totschlag" (aka "A Degree Of Murder"), an avant-garde German film with Anita Pallenberg
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| 1967 | Jagger, Mick | |
| A new psychedelic album, which Jagger envisions as the group's equivalent of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, eventually be released as Their Satanic Majesties Request, during a threat of imprisonment
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| "We Love You" is releades, a thank you for loyalty shown by their fans during their drug trials trials, seen as a barbed attack on their perceived persecutors: the News of the World, the Metropolitan Police
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| 1967 | Jones, Brian | |
| "We Love You" is releades, a thank you for loyalty shown by their fans during their drug trials trials, seen as a barbed attack on their perceived persecutors: the News of the World, the Metropolitan Police
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| 1967 | Jones, Lewis Brian Hopkin | |
| Clips in the promotional film for "We Love You" show Jones slumped and barely able to keep his eyes open, most likely due to the effects of Mandrax (quaalude)
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| The 1967 albums Between the Buttons and Their Satanic Majesties Request showcase Jones' multi-instrumental talents throughout
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| Mar Jones' girlfriend Anita Pallenberg runs off with Richards while Jones is hospitalised, damaging Jones and Richards' friendship
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| 1967 | Oldham, Andrew Loog | |
| Oldham departs as manager & producer of the Rolling Stones in late 1967
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| 1967 | Pallenberg, Anita | |
| Mar Jones' girlfriend Anita Pallenberg runs off with Richards while Jones is hospitalised, damaging Jones and Richards' friendship
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| 1967 | Richards, Keith | |
| A new psychedelic album, which Jagger envisions as the group's equivalent of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, eventually be released as Their Satanic Majesties Request, during a threat of imprisonment
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| "We Love You" is releades, a thank you for loyalty shown by their fans during their drug trials trials, seen as a barbed attack on their perceived persecutors: the News of the World, the Metropolitan Police
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| Mar Jones' girlfriend Anita Pallenberg runs off with Richards while Jones is hospitalised, damaging Jones and Richards' friendship
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| 1968 | Jagger, Mick | |
| Rolling Stones release the album, "Beggar's Banquet"
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| May Aided by up-and-coming producer Jimmy Miller, Jagger and Richards produce some of their most memorable work, including "Sympathy for the Devil" and the distorted acoustic guitar-driven "Street Fighting Man"
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| May With personal relations between Jones and Richards increasingly frayed, the release of the single "Jumpin' Jack Flash" and, later the year, the album Beggars Banquet (UK #3; US #5), see a return to the band's blues roots
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| 1968 | Jones, Lewis Brian Hopkin | |
| The 1968 album Beggars Banquet and the 1969 Let it Bleed album has Jones mostly missing, instead featuring guitar weaving by either Richards alone or with session musicians such as Ry Cooder and Dave Mason
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| May With personal relations between Jones and Richards increasingly frayed, the release of the single "Jumpin' Jack Flash" and, later the year, the album Beggars Banquet (UK #3; US #5), see a return to the band's blues roots
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| Dec Jones' last formal appearance with the Rolling Stones, The Rolling Stones Rock and Roll Circus, part concert, part circus-act film organized by the band, but not released for 25 years
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| 1968 | Mason, Dave | |
| The 1968 album Beggars Banquet and the 1969 Let it Bleed album has Jones mostly missing, instead featuring guitar weaving by either Richards alone or with session musicians such as Ry Cooder and Dave Mason
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| 1968 | Miller, Jimmy | |
| May Aided by up-and-coming producer Jimmy Miller, Jagger and Richards produce some of their most memorable work, including "Sympathy for the Devil" and the distorted acoustic guitar-driven "Street Fighting Man"
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| 1968 | Richards, Keith | |
| May Aided by up-and-coming producer Jimmy Miller, Jagger and Richards produce some of their most memorable work, including "Sympathy for the Devil" and the distorted acoustic guitar-driven "Street Fighting Man"
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| May With personal relations between Jones and Richards increasingly frayed, the release of the single "Jumpin' Jack Flash" and, later the year, the album Beggars Banquet (UK #3; US #5), see a return to the band's blues roots
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| 1969 | Jagger, Mick | |
| Rolling Stones release the album, "Let It Bleed"
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| 8th June At the suggestion of pianist and road manager Ian Stewart, the Stones decide to add a new guitarist and Jones is visited by Mick Jagger, Keith Richards and Charlie Watts and told the group he formed would continue without him
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| 8th June Jones is forced out of the band after a late-night visit to his rural home from Jagger, Richards and Charlie Watts to be replaced by twenty year-old jazz-influenced guitarist Mick Taylor, from John Mayall's Bluesbreakers
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| 3rd July Honky Tonk Women is released, coinciding with the death of Jones, and remains the band's last number 1 single in the UK
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| 1969 | Jones, Lewis Brian Hopkin | |
| 8th June At the suggestion of pianist and road manager Ian Stewart, the Stones decide to add a new guitarist and Jones is visited by Mick Jagger, Keith Richards and Charlie Watts and told the group he formed would continue without him
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| 9th June Jones releases a statement announcing his departure
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| 1969 | Richards, Keith | |
| 8th June At the suggestion of pianist and road manager Ian Stewart, the Stones decide to add a new guitarist and Jones is visited by Mick Jagger, Keith Richards and Charlie Watts and told the group he formed would continue without him
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| 3rd July Honky Tonk Women is released, coinciding with the death of Jones, and remains the band's last number 1 single in the UK
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| 1969 | Stewart, Ian | |
| 8th June At the suggestion of pianist and road manager Ian Stewart, the Stones decide to add a new guitarist and Jones is visited by Mick Jagger, Keith Richards and Charlie Watts and told the group he formed would continue without him
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| 1969 | Taylor, Mick | |
| 9th June Jones is replaced by 20-year-old guitarist Mick Taylor (formerly of John Mayall's Bluesbreakers), who starts sessions with the Stones right away
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| 13th June unveiled to the media during a press conference in Hyde Park
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| 1969 | Watts, Charlie | |
| 8th June At the suggestion of pianist and road manager Ian Stewart, the Stones decide to add a new guitarist and Jones is visited by Mick Jagger, Keith Richards and Charlie Watts and told the group he formed would continue without him
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| 1970 | Jagger, Mick | |
| Rolling Stones release the album, "Get Yer Ya-Ya's Out"
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| 1971 | Jagger, Mick | |
| Rolling Stones release the album, "Sticky Fingers"
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| 1972 | Jagger, Mick | |
| Rolling Stones release the album, "Exile On Main Street"
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| 1997 | Jagger, Mick | |
| Rolling Stones release the album, "Bridges to Babylon"
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| 2005 | Jagger, Mick | |
| Rolling Stones release the album, "A Bigger Bang"
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